Some search terms that have apparently led people to my blog. April 28, 2009
Posted by Jordan in Uncategorized.Tags: Alice Cullen, Ashley Greene, Chamillionaire, deathcore, Despised Icon, Elizabeth Reaser, Eric B. & Rakim, Esme Cullen, Kristen Stewart, KStew, Lambgoat, Letters To Twilight, Midnight Sun, Music, Oceano, Robert Pattinson, RPattz, The Goo Goo Dolls, Twilight, Whitechapel, Wu-Tang Clan
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I haven’t really seen people end up at my blog through lots of crazy, absurd searches that have nothing whatsoever to do with anything I write about, but I have seen some pretty funny searches in my stats, a few of which I will list below:
what page in midnight sun do edward and bella go to the resterant – Ah! You came to the right place for that – I’ve got you covered! It’s page 180!
alice cullen hot – Uh, DUH. “Hot” is SUCH an inadequate word for this. Step that up to “jaw-droppingly beautiful” or “hotter than the surface of the sun” or “so gorgeous it makes you want to cry” and THEN we’ll talk. Ashley Greene at least deserves that. Actually, she deserves to get anything she wants, but that’s beside the point.
deathcore hip hop – Not exactly sure what the idea was on this one … perhaps homeboy (or homegirl) couldn’t decide if he/she was feeling some Whitechapel or some Wu-Tang Clan? Some Oceano or some Chamillionaire? Some Despised Icon or some Eric B. & Rakim? Just seeing all those artist names in the same sentences is making my head hurt.
does robert pattinson have an age limit – Ok, this could seriously be interpreted, like, a million different ways. I’m guessing it was either a 14-year-old girl who was unsure with regards to how to investigate the legalities of drugging RPattz with a few of her friends and doing naughty, illegal things to him, or a woman in her 50’s who was trying to make sure that Rob hasn’t come out in an interview and definitively stated that he doesn’t go for mature, more experienced woman.
rpattz kstew appreciation thread – Got you covered on this one, too! The awesome ladies at the Letters To Twilight Forum love discussing Rob and Kristen! Go here!
some people like shit deathcore – Are you sure that you weren’t actually looking for Lambgoat? Absolutely positive you weren’t trying to get here? Because, if ultra-critical hyper-insensitive scene commentary is your bag, than those dudes just might be your soulmates.
does esme cullen smoke cigarettes – No way! She’s married to a DOCTOR! Not that the Cullens smoking would exactly bear lots of long-term health consequences, but still! Also, a brief note to Elizabeth Reaser, if you’re reading this: I have no idea if you smoke or not, but regardless, don’t give people that search for questions like that any more reason to suspect! Stay away, girl!
quotes life goo goo dolls – I love this search. LOVE it. I don’t even have a more thought-out comment on this one – they’re just fantastic, and I can’t wait to hear their new album!
Top 25 Albums February 25, 2009
Posted by Jordan in Album Reviews/Thoughts, Music.Tags: A New Hope, albums, Apocalyptica, Black Sabbath, blues, death metal, deathcore, Demanufacture, Despised Icon, Devil Without A Cause, Dimebag Darrell, Dizzy Up The Girl, DJ Shadow, Endtroducing, Enter The Wu-Tang, Eric B. & Rakim, Fear Factory, Follow The Leader, gangsta rap, hardcore, Hatebreed, Haymaker, heavy metal, hip-hop, In Your Atmosphere, Jakaranda, John Mayer, John Williams, Kid Rock, KISS, metal, Metallica, Mirrorball, Music, N.W.A., Official Live, Paid In Full, Pantera, Paranoid, Rage Against The Machine, Rammstein, Reign In Blood, Robert Johnson, Sarah McLachlan, Satisfaction Is The Death Of Desire, Sehnsucht, Sigur Ros, Slayer, Slipknot, Star Wars, Straight Edge, Straight Outta Compton, The Complete Recordings, The Goo Goo Dolls, The Ills Of Modern Man, The Parent Trap, thrash metal, Throwdown, Where The Light Is, Wu-Tang Clan
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Ok, so, I found this the other day on a friend’s Facebook page, and, since I’m a music nerd, I was immediately interested by the idea – I will quote it below:
“Think of 25 albums that had such a profound effect on you they changed your life or the way you looked at it. They sucked you in and took you over for days, weeks, months, years. These are the albums that you can use to identify time, places, people, and emotions.”
So, it’s not necessarily your 25 favorite albums ever, or the 25 that you would take with you on a desert island, or something like that. It’s the 25 most important, most memorable, most life-altering, etc. That’s the perspective I’m doing this list from. Also, this is in no particular order – trying to rank some of these albums would probably make my brain break.
- Black Sabbath – Paranoid. This is a perfect example of the absolute textbook definition of a classic album. At least 75% of the heavy metal music that exists today – and that might be a conservative estimate – simply would not exist without this record. Some bands today can only wish that they could write songs that sound as good as “War Pigs”, “Paranoid”, and “Iron Man”, and those songs have been around for 40 years. Untouchable. Absolutely, positively, inarguably, irrefutably, 100% untouchable.
- Pantera – Official Live: 101 Proof. This is actually a live album, but it’s the best representation of what Pantera was. The metal that these guys played had so much groove – the DNA of their music was all about making it impossible for anyone hearing it to sit still. Listening to Dimebag’s guitar work is unlike anything else – it sounds like his amps are on fire. They remain the band I most regret not getting to see live before they disbanded, and Dimebag’s tragic death makes listening to their music now more somber than I know they ever wanted it to be. I don’t even know what I would give to somehow be able to go back in time and see them completely rip some venue apart – probably far too much.
- Fear Factory – Demanufacture. Absolutely my favorite album from this band, and it was the first CD that really showed me how well industrial/electronica instrumentation and flourishes could work with metal, if done right. Also, Burton doesn’t get near the credit he deserves for his vocals. Everyone forgets this now, but back in the early 90’s, when this band was formed, the whole idea of having one guy do a “dual-vocals” thing – like, one vocalist that was good enough to sing melodic parts and also handle the aggressive stuff – was nowhere near as prominent as it is now. Burton was one of the first people to really do it well.
- Metallica – any of their albums from The Black Album on back. This is kind of cheating, since I’m not picking one particular album, but I spent a good 20 minutes trying to narrow it down to one or two, and I can’t. It’s impossible. These guys, for years, were undisputably my favorite band on the planet, and I couldn’t even tell you how much time I spent listening to their early CD’s. On a cumulative basis, I would say 400-500 hours, easily. Probably more.
- Slipknot – Slipknot. This album … oh my god. People like to hate on this band now, but I don’t care. I’ll always defend them, especially this record, because … well, I don’t even know. I can’t explain it. This was the first CD I can remember hearing, that, upon listening to it for the first time, didn’t even sound like a band. It sounded like a force of nature – like the musical manifestation of a hurricane. That might sound like excessive hyperbole now, but at the time, right after this album came out, it was absolutely the most mind-blowing thing me or any of my close friends had ever heard, ever. Considering not just my close friends and I, but also all the other guys I knew who loved this CD, this band probably saved a couple of lives, and that’s not even a joke – words can’t do justice to how important this band, and this album, were to us back then.
- Slayer – Reign In Blood. One of the only albums I can think of where all the hype about it is absolutely 100% deserved. Best pure thrash album ever made, and I’m not sure that it will ever be topped, in that regard. I don’t know that it’s possible to do this style of metal better than what Slayer did on this CD. It will still scare people 100 years from now.
- KISS – Greatest KISS. All of my interest in the aggressive music I’m into now – ALL of it – was spawned from me listening to this album. Not their best album, and it’s probably not even their best compilation CD, but this was the first CD by a rock band that I can remember being really excited about finally getting, and then listening to it over and over. Everyone has a different story about how they got into certain music, but for me, as far as any sort of rock music or anything aggressive goes, it ALL started with this.
- Star Wars: A New Hope – Original Soundtrack. Laugh if you want, but this was the first CD I ever owned, and I still have it. John Williams is amazing.
- Apocalyptica – Plays Metallica By Four Cellos. Showed me that you could make ominous, haunting, aggressive music using non-metal instrumentation (four cellos, in this case). It’s a shame that these guys have only recently started to get some of the mainstream recognition they deserve – they’ve been releasing albums for almost 15 years.
- Rammstein – Sehnsucht. WHOA. That was my reaction upon hearing this, way back in junior high. I still have some of the same thoughts about this band today as I did then – it sort of doesn’t even matter that they sing almost exclusively in German, and that the overwhelming majority of their American fans don’t know what their songs are about. Metal has it’s own language that doesn’t even need to cross the language barrier to be understood, and these guys are a wonderful example of that. I was (and remain) amazed at the theatrical power of their music.
- The Goo Goo Dolls – Dizzy Up The Girl. I love this band, I love their songs, I love John’s vocals – everything. It’s debatable whether or not this is their best album, as everyone seems to have a different opinion of how good their newer, more radio-friendly stuff is, but I love it, and whether or not this is their best album, I think it’s their most consistent. “Acoustic #3” is beautiful and criminally under-rated, and “Black Balloon” is one of my two favorite songs from them.
- N.W.A. – Straight Outta Compton. This is obviously a gangsta rap record – that shouldn’t come as a surprise to anyone – but, if this makes any sense, I heard it and part of me thought I was listening to a metal album. Not that this album uses a lot of rock or metal instrumentation – it doesn’t – but the attitude is metal. Like, “Straight Outta Compton”, just that one song, shocked me. No doubt about it. It came off like no other rap song I’d ever heard, and I still think of it that way. Just listen to the first three songs on the album – even when the guys are flowing about simple things that aren’t overtly violent (which, admittedly, is rare), it still sounds threatening. Makes you understand why the FBI once labeled them as “The World’s Most Dangerous Group”.
- Wu-Tang Clan – Enter The Wu-Tang (36 Chambers). This thing – this monster of a debut album – is probably my favorite hip-hop/rap record ever. NO ONE knew what the hell they were listening to when the Clan dropped this. People had seen and heard rap crews before, but NINE MC’s, all with razor-sharp flows, wielding their rhymes and beats like samurai swords? It sounds like nothing else before or since. Absolutely timeless.
- Hatebreed – Satisfaction Is The Death Of Desire. The first hardcore album I ever owned, and at the time, I wasn’t even sure why I liked it. I didn’t really know what hardcore was back then, but I was completely unable to get over how good this CD sounds, and I still can’t. “Burn The Lies”, “Conceived Through An Act Of Violence”, and “Worlds Apart” knocked me over, because, until then, I hadn’t ever heard heavy music that was so no-frills and stripped down, and yet stayed just as heavy and suffocating as anything else I had heard. It’s a classic.
- Sigur Ros – ( ). Beautiful, alien, minimalist, ethereal, stark, hypnotic, cold, angelic … any of those words fit this album. It’s hard to describe, honestly – I once read a quote from Tommy Lee in which he described this band as what it would sound like if you mixed angels and noise, if that gives you any idea. The third track on this album (it’s usually referred to as “Untitled #3” or “Samskeyti”) is one of my favorite songs ever.
- The Parent Trap – Original Soundtrack. Say what you will, but I love this soundtrack. It’s that simple. I’ve loved listening to the songs on it ever since I was in, like, 6th or 7th grade, and I still enjoy them today. It’s just fun music – the songs never fail to put a smile on my face. To mention one specific song that I love, Jakaranda’s “Never Let You Go” is a treasure.
- Rage Against The Machine – Rage Against The Machine. This album has more energy and more fire than just about any other one. It’s so bombastic, so hype, so jacked up, so get-the-hell-up-and-go-start-something … it’s a hard rock album with funk. Listening to “Killing In The Name” is like a shot of adrenaline. The whole album is packed so tightly with so much conviction and energy – it tires you out, just listening to it. Gloriously pissed-off.
- Eric B. & Rakim – Paid In Full / Follow The Leader. I know this is cheating, throwing “Paid In Full” and “Follow The Leader” together, but they’re totally inseperable to me. Whenever you hear anyone talking about the “Golden Age” of hip-hop, like back in the late 80’s, tell them to listen to these two albums. It quite simply gets no better. To my taste, these two albums are the purest representation of what hip-hop is and should always remain, at least at it’s core. Two guys – one on the mic and one spinning the 1’s and the 2’s. When the two parts go together as well as Eric B. & Rakim did – I mean, does life get any better? Ever? EVER? What more could you possibly need? Listening to those two records is like listening to heaven.
- Throwdown – Haymaker. This band has evolved quite a bit, but this album will always be near and dear to me. It helped me understand that being straight edge and living a life free of addiction and the chains that bind so many others is not something to be ashamed of or reticent about – it’s quite the opposite. “Never Back Down”, “Forever”, and “Raise Your Fist”, at the time, completely blew me away. I’d never heard hardcore that was that heavy and that aggressive, and I loved that they could do that while still trying to send a positive message.
- Sarah McLachlan – Mirrorball. She’s an angel. Her music is magical and from a place that’s so personal, and yet millions of people have been able to connect to her and what she sings about, almost as if she is singing directly to them. I don’t really think about the concept of fate a whole lot, but with Sarah, I think she was, like, put on this planet to do precisely what she is doing. She was born to play music, and her songs have saved lives. I love this album. Her music has so much power and so much strength, and yet it’s still feminine and sexy and beautiful and vulnerable – she’s intoxicating. She goes to another place when she sings, and it’s like no other feeling in the world when she takes you with her.
- Despised Icon – The Ills Of Modern Man. Maybe the only modern death metal/deathcore album I can listen to straight through, without ever wanting to skip a song, and discover something new every time. Even with how crazy and technical their music gets, there’s still just an absurd amount of groove going on – almost to the point where it’s sometimes a stretch to even refer to their breakdowns as breakdowns. Brutal in all the best ways.
- DJ Shadow – Endtroducing. 50% instrumental hip-hop and 50% electronica. Also the first album in history to be composed entirely of samples taken from other albums. It’s shocking, how good Shadow is and how natural he makes everything sound. There’s so much going on and so many different elements and motifs happening in the music, but it never feels chaotic, cluttered, or out of control. You can freestyle rap to this album one night and fall asleep listening to it the next.
- Kid Rock – Devil Without A Cause. I don’t even know where to start with this one – just know that I used to race home from school every day just to try to catch the music video for “Bawitdaba” on MTV. I was crushed (I mean, CRUSHED) when he played a concert here and my parents wouldn’t let me go, lol, because myself and some of my friends were just amazed at what he was doing and how he was throwing rap, metal, and even some country together. Also, back in, like, 8th grade, “Devil Without A Cause” was totally one of the most intimidating-sounding songs I had ever heard. So that’s gotta count for something.
- John Mayer – Where The Light Is: Live In Los Angeles. Not a studio album, but the best representation of his music. Some people hate on him, but I love him and think he’s brilliant. He’s now to the point where, when he plays concerts, he can almost pick who he wants to be. Blues man, sensitive acoustic guy, pop-rock star, faux hip-hopper who messes around with samples and drum machines – he can do it all. And his fans, generally speaking, are smart enough and appreciative enough of his music that he knows he can pretty much play whatever he wants, and they’ll be happy. “In Your Atmosphere” is wonderful.
- Robert Johnson – The Complete Recordings. OK – some would say I’m saving the best for last. And by “some”, I mean “Keith Richards, Eric Clapton, and Jimmy Page”. Those are just a few of the artists who have said that Robert Johnson is the greatest bluesman that’s ever lived. It’s utterly impossible to overstate the impact that his songs have had. Even if you don’t listen to blues, you’ve probably heard 4 or 5 of his songs before and just didn’t realize it. They’ve been covered by hundreds of different groups. So, if you want the blues – and I mean the blues – you need look no further. Period.
waxing philosophic on Metal. February 5, 2009
Posted by Jordan in Music.Tags: ...And Oceans, Baroness, black metal, Bolt Thrower, celtic metal, Cowboys From Hell, Crossbreed, Death, death metal, deathcore, Decapitated, Despised Icon, Eluveitie, Emperor, Entombed, Fear Factory, folk metal, Hail Of Bullets, Heaven Shall Burn, Iconoclast, Immortal, Isis, Mayhem, melodic death metal, metal, metalcore, Metallica, Music, nu-metal, Ordo Ad Chao, Origin, Pantera, Pelican, post-metal, Slania, Slayer, Spheres Of Madness, The Ills Of Modern Man, Vulgar Display Of Power
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generally speaking, for me, one of the most important aspects of metal (if not the most important) is groove. there’s got to be something there, whether easily accessible on the first layer of the music, or buried underneath, that i can latch onto. this is partially because i often catch myself, when listening to metal, paying particular attention to the rhythm, almost like a drummer would do when hearing a song for the first time. he would, before anything else, want to identify the beat. the pulse. that’s kind of how i am. i have to get oriented. because of that, shit like noisecore, some grindcore, and a lot of tech death is hard for me to get into. like, i’m not someone who can listen to some crazy-ass-hyperspeed-mindfuck band and be like “dude, that’s fucking SIIIIIICK!” and have that be enough to enjoy it. very occasionally, maybe (Origin is a good example), but most of the time, there has to be groove. some technical death metal, for example, is really really good, but for me, that’s usually the result of the band throwing enough other elements in to keep it fresh, so that the “blast-tremolo-double bass-solo-blast-blast” thing doesn’t get stale. even with Origin, i enjoy their most recent album the most, and that’s the one with, in my opinion, the best songwriting, most developed sound, and most effective use of other elements.
Also – random bands I’ve been into lately:
Hail Of Bullets. it’s a bunch of european death metal dudes that have all been around forever, and it shows when listening to the album. it’s so fucking grimy – the production (and, more specifically, the guitar tone) is just fantastic. it sounds like Bolt Thrower mixed with Entombed and maybe a bit of Death.
Decapitated. those guys are AMAZING. makes their accident that much more tragic, but seriously – they’re one of the best examples i know of of a primarily tech death band who knows how to write good songs and just do it right so that it hardly ever gets boring. “Spheres Of Madness”, to my taste, slays so hard. and it shouldn’t, really – it’s pretty much sparse, jagged riffing mixed with near-constant syncopated double bass, so much so that it could almost be an old Fear Factory song. but it’s done so well that it doesn’t even matter.
…And Oceans. they’re not around anymore, but omg. they’re actually pretty hard for me to describe – they’re, like, cyber-death metal or something. but there’s enough room to breathe in the music that it doesn’t feel as suffocating as most death does, and the electronica and ambience is used well enough so that it doesn’t sound cheesy or nu-metal-ish, like Crossbreed or something like that.
Despised Icon. they’re my favorite out of the “deathcore” bands. The Ills Of Modern Man is an incredible album.
Eluveitie. they’re usually called “celtic metal” or “folk metal”, which originally gave me pause about checking them out, because pretty much all of those bands that i have heard end up suffering from one of two problems: they either take themselves way too seriously, to the point that the music and overall image is kind of laughable, or they fuck up the mixture of the different parts of their sound so that it either ends up sounding like gothenburg metal with random other instrumentation thrown in, or celtic instrumental interludes with out-of-place metal riffs, drumming, and solos. one side usually ends up dominating the other. HOWEVER – none of that applies to Eluveitie, in my opinion. they do it PERFECTLY – their version of that style of metal, and the way they make so many different instruments sound natural together, is the best i have heard. Slania is their newest album and the one i like best.
black metal is almost always hit-or-miss for me – it either works or it just doesn’t. i mainly like Norwegian second wave stuff, like Immortal, Mayhem, and Emperor, in that order.
and, speaking of Mayhem, if you’re reading this and haven’t listened to Ordo Ad Chao, you need to. it’s their latest album, and … well, i don’t even know what to say about it. if you judge it from the perspective of actually wanting to hear what most people would call “good music”, then it’s almost inarguably terrible. the production is complete trash – the vocals are mixed almost completely out in some places, the drums are totally unbalanced, the bass is usually the easiest instrument to distinguish, and the guitars sound like buzzsaws with dying batteries. it’s the type of record that’s aimed exclusively at an extremely small niche audience, but if you can accept that, and actually listen to it … i don’t even know if you can call it “good”, but that fucking album is one of a kind. seriously. it’s such a complete mess, so muddy, and so dirty that you almost want to take a shower after listening to it. like, i’ve listened to it through headphones in the dark before, and oh my god – it’s like bugs are crawling on you. it’s like what a virus would sound like, if that makes any sense.
Heaven Shall Burn. in my opinion, they’ve gotten better with each album, and their newest, Iconoclast, is great. they’re German metalcore, although they’ve leaned more and more towards melodic death with each release.
the genre sometimes referred to as “post-metal” is usually hit-or-miss with me in the same way that black metal is. i say “post-metal” because i’m not sure of a better term, but Baroness, Pelican, and Isis are all really good.
and, to go to some of the stereotypical metal bands or albums that always inevitably get thrown out in discussions like this, old Slayer is good. old Pantera is SICK, i don’t give a shit what anyone says, lol – Cowboys From Hell and Vulgar Display Of Power won’t ever lose their potency, at least for me. and old Metallica is wonderful – those first four albums are just stunning, each in their own ways. they were my favorite band for a long, long time, and i don’t even need to get started on those records – maybe some other time, when I have more time, lol.