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for your mental. February 28, 2009

Posted by Jordan in Quotes.
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“Our society is run by a managerial bureaucracy, by professional politicians; people are motivated by mass suggestion, their aim is producing more and consuming more, as purposes in themselves. All activities are subordinated to economic goals, means have become ends; man is an automaton — well fed, well clad, but without any ultimate concern for that which is his peculiarly human quality and function. If man is to be able to love, he must be put in his supreme place. The economic machine must serve him, rather than he serve it. He must be enabled to share experience, to share work, rather than, at best, share in profits. Society must be organized in such a way that man’s social, loving nature is not separated from his social existence, but becomes one with it. If it is true, as I have tried to show, that love is the only sane and satisfactory answer to the problem of human existence, then any society which excludes, relatively, the development of love, must in the long run perish of its own contradiction with the basic necessities of human nature.” – Erich Fromm

“The skylines lit up at dead of night, the air-conditioning systems cooling empty hotels in the desert, and artificial light in the middle of the day all have something both demented and admirable about them: the mindless luxury of a rich civilization, and yet of a civilization perhaps as scared to see the lights go out as was the hunter in his primitive night.” – Jean Baudrillard

“The surest way to corrupt a youth is to instruct him to hold in higher esteem those who think alike than those who think differently.” – Friedrich Nietzsche

“I don’t give a fuck if you don’t know what I’m talking about – this is art. When you go see a painting on the wall and it looks bugged out because you don’t know what the fuck he thinking, because he ain’t got no benches, no trees there, it’s just a splash. The nigga that did it know what the fuck it is.” – Ghostface Killah

Twi-Stuff Update! February 25, 2009

Posted by Jordan in Twilight.
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Got the Alice long sleeve shirt a couple of days ago!

Front Of Shirt

Back Of Shirt

So yeah – super stoked about that! Also, I finally got around to pre-ordering the DVD at the Hot Topic in our mall!

Preorder Stuff

That midnight release party will be CRAZY. Of course, I’m completely excited about it and think it will be awesome. One of my best friends works at our Hot Topic, and he and I laughed about it a lot the other day, because I was saying that I’m gonna stick out like a sore thumb (I’m 6’4″ and about 225) next to everyone else (read: teenage girls) there. Whatever. I don’t even care. I’m also going to wear the Alice shirt, which my friend said I might end up getting beat down for. My mom even made a comment about it – the other day, when we were on the phone, I was telling her about how I needed to go pre-order the DVD, and about the release party Hot Topic is organizing, and she was like “Yeah, you definitely need to – you know you want to be there.” Then I told her that, to my knowledge, they had gotten about 100 pre-orders for it so far, and she said “oh, okay – so when you go reserve yours, it’ll be 100 to 1, girls to guys! Or, I guess I should say girls to guy!” I loved that she was lauging about it too! I can’t wait!

Top 25 Albums February 25, 2009

Posted by Jordan in Album Reviews/Thoughts, Music.
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Ok, so, I found this the other day on a friend’s Facebook page, and, since I’m a music nerd, I was immediately interested by the idea – I will quote it below:

“Think of 25 albums that had such a profound effect on you they changed your life or the way you looked at it. They sucked you in and took you over for days, weeks, months, years. These are the albums that you can use to identify time, places, people, and emotions.”

So, it’s not necessarily your 25 favorite albums ever, or the 25 that you would take with you on a desert island, or something like that. It’s the 25 most important, most memorable, most life-altering, etc. That’s the perspective I’m doing this list from. Also, this is in no particular order – trying to rank some of these albums would probably make my brain break.

  1. Black Sabbath – Paranoid. This is a perfect example of the absolute textbook definition of a classic album. At least 75% of the heavy metal music that exists today – and that might be a conservative estimate – simply would not exist without this record. Some bands today can only wish that they could write songs that sound as good as “War Pigs”, “Paranoid”, and “Iron Man”, and those songs have been around for 40 years. Untouchable. Absolutely, positively, inarguably, irrefutably, 100% untouchable.
  2. Pantera – Official Live: 101 Proof. This is actually a live album, but it’s the best representation of what Pantera was. The metal that these guys played had so much groove – the DNA of their music was all about making it impossible for anyone hearing it to sit still. Listening to Dimebag’s guitar work is unlike anything else – it sounds like his amps are on fire. They remain the band I most regret not getting to see live before they disbanded, and Dimebag’s tragic death makes listening to their music now more somber than I know they ever wanted it to be. I don’t even know what I would give to somehow be able to go back in time and see them completely rip some venue apart – probably far too much.
  3. Fear Factory – Demanufacture. Absolutely my favorite album from this band, and it was the first CD that really showed me how well industrial/electronica instrumentation and flourishes could work with metal, if done right. Also, Burton doesn’t get near the credit he deserves for his vocals. Everyone forgets this now, but back in the early 90’s, when this band was formed, the whole idea of having one guy do a “dual-vocals” thing – like, one vocalist that was good enough to sing melodic parts and also handle the aggressive stuff – was nowhere near as prominent as it is now. Burton was one of the first people to really do it well.
  4. Metallica – any of their albums from The Black Album on back. This is kind of cheating, since I’m not picking one particular album, but I spent a good 20 minutes trying to narrow it down to one or two, and I can’t. It’s impossible. These guys, for years, were undisputably my favorite band on the planet, and I couldn’t even tell you how much time I spent listening to their early CD’s. On a cumulative basis, I would say 400-500 hours, easily. Probably more.
  5. Slipknot – Slipknot. This album … oh my god. People like to hate on this band now, but I don’t care. I’ll always defend them, especially this record, because … well, I don’t even know. I can’t explain it. This was the first CD I can remember hearing, that, upon listening to it for the first time, didn’t even sound like a band. It sounded like a force of nature – like the musical manifestation of a hurricane. That might sound like excessive hyperbole now, but at the time, right after this album came out, it was absolutely the most mind-blowing thing me or any of my close friends had ever heard, ever. Considering not just my close friends and I, but also all the other guys I knew who loved this CD, this band probably saved a couple of lives, and that’s not even a joke – words can’t do justice to how important this band, and this album, were to us back then.
  6. Slayer – Reign In Blood. One of the only albums I can think of where all the hype about it is absolutely 100% deserved. Best pure thrash album ever made, and I’m not sure that it will ever be topped, in that regard. I don’t know that it’s possible to do this style of metal better than what Slayer did on this CD. It will still scare people 100 years from now.
  7. KISS – Greatest KISS. All of my interest in the aggressive music I’m into now – ALL of it – was spawned from me listening to this album. Not their best album, and it’s probably not even their best compilation CD, but this was the first CD by a rock band that I can remember being really excited about finally getting, and then listening to it over and over. Everyone has a different story about how they got into certain music, but for me, as far as any sort of rock music or anything aggressive goes, it ALL started with this.
  8. Star Wars: A New Hope – Original Soundtrack. Laugh if you want, but this was the first CD I ever owned, and I still have it. John Williams is amazing.
  9. Apocalyptica – Plays Metallica By Four Cellos. Showed me that you could make ominous, haunting, aggressive music using non-metal instrumentation (four cellos, in this case).  It’s a shame that these guys have only recently started to get some of the mainstream recognition they deserve – they’ve been releasing albums for almost 15 years.
  10. Rammstein – Sehnsucht. WHOA. That was my reaction upon hearing this, way back in junior high. I still have some of the same thoughts about this band today as I did then – it sort of doesn’t even matter that they sing almost exclusively in German, and that the overwhelming majority of their American fans don’t know what their songs are about. Metal has it’s own language that doesn’t even need to cross the language barrier to be understood, and these guys are a wonderful example of that. I was (and remain) amazed at the theatrical power of their music.
  11. The Goo Goo Dolls – Dizzy Up The Girl. I love this band, I love their songs, I love John’s vocals – everything. It’s debatable whether or not this is their best album, as everyone seems to have a different opinion of how good their newer, more radio-friendly stuff is, but I love it, and whether or not this is their best album, I think it’s their most consistent. “Acoustic #3” is beautiful and criminally under-rated, and “Black Balloon” is one of my two favorite songs from them.
  12. N.W.A. – Straight Outta Compton. This is obviously a gangsta rap record – that shouldn’t come as a surprise to anyone – but, if this makes any sense, I heard it and part of me thought I was listening to a metal album. Not that this album uses a lot of rock or metal instrumentation – it doesn’t – but the attitude is metal. Like, “Straight Outta Compton”, just that one song, shocked me. No doubt about it. It came off like no other rap song I’d ever heard, and I still think of it that way. Just listen to the first three songs on the album – even when the guys are flowing about simple things that aren’t overtly violent (which, admittedly, is rare), it still sounds threatening. Makes you understand why the FBI once labeled them as “The World’s Most Dangerous Group”.
  13. Wu-Tang Clan – Enter The Wu-Tang (36 Chambers). This thing – this monster of a debut album – is probably my favorite hip-hop/rap record ever. NO ONE knew what the hell they were listening to when the Clan dropped this. People had seen and heard rap crews before, but NINE MC’s, all with razor-sharp flows, wielding their rhymes and beats like samurai swords? It sounds like nothing else before or since. Absolutely timeless.
  14. Hatebreed – Satisfaction Is The Death Of Desire. The first hardcore album I ever owned, and at the time, I wasn’t even sure why I liked it. I didn’t really know what hardcore was back then, but I was completely unable to get over how good this CD sounds, and I still can’t. “Burn The Lies”, “Conceived Through An Act Of Violence”, and “Worlds Apart” knocked me over, because, until then, I hadn’t ever heard heavy music that was so no-frills and stripped down, and yet stayed just as heavy and suffocating as anything else I had heard. It’s a classic.
  15. Sigur Ros – ( ). Beautiful, alien, minimalist, ethereal, stark, hypnotic, cold, angelic … any of those words fit this album. It’s hard to describe, honestly – I once read a quote from Tommy Lee in which he described this band as what it would sound like if you mixed angels and noise, if that gives you any idea. The third track on this album (it’s usually referred to as “Untitled #3” or “Samskeyti”) is one of my favorite songs ever.
  16. The Parent Trap – Original Soundtrack. Say what you will, but I love this soundtrack. It’s that simple. I’ve loved listening to the songs on it ever since I was in, like, 6th or 7th grade, and I still enjoy them today. It’s just fun music – the songs never fail to put a smile on my face. To mention one specific song that I love, Jakaranda’s “Never Let You Go” is a treasure.
  17. Rage Against The Machine – Rage Against The Machine. This album has more energy and more fire than just about any other one. It’s so bombastic, so hype, so jacked up, so get-the-hell-up-and-go-start-something … it’s a hard rock album with funk. Listening to “Killing In The Name” is like a shot of adrenaline. The whole album is packed so tightly with so much conviction and energy – it tires you out, just listening to it. Gloriously pissed-off.
  18. Eric B. & Rakim – Paid In Full / Follow The Leader. I know this is cheating, throwing “Paid In Full” and “Follow The Leader” together, but they’re totally inseperable to me. Whenever you hear anyone talking about the “Golden Age” of hip-hop, like back in the late 80’s, tell them to listen to these two albums. It quite simply gets no better. To my taste, these two albums are the purest representation of what hip-hop is and should always remain, at least at it’s core. Two guys – one on the mic and one spinning the 1’s and the 2’s. When the two parts go together as well as Eric B. & Rakim did – I mean, does life get any better? Ever? EVER? What more could you possibly need? Listening to those two records is like listening to heaven.
  19. Throwdown – Haymaker. This band has evolved quite a bit, but this album will always be near and dear to me. It helped me understand that being straight edge and living a life free of addiction and the chains that bind so many others is not something to be ashamed of or reticent about – it’s quite the opposite. “Never Back Down”, “Forever”, and “Raise Your Fist”, at the time, completely blew me away. I’d never heard hardcore that was that heavy and that aggressive, and I loved that they could do that while still trying to send a positive message.
  20. Sarah McLachlan – Mirrorball. She’s an angel. Her music is magical and from a place that’s so personal, and yet millions of people have been able to connect to her and what she sings about, almost as if she is singing directly to them. I don’t really think about the concept of fate a whole lot, but with Sarah, I think she was, like, put on this planet to do precisely what she is doing. She was born to play music, and her songs have saved lives. I love this album. Her music has so much power and so much strength, and yet it’s still feminine and sexy and beautiful and vulnerable – she’s intoxicating. She goes to another place when she sings, and it’s like no other feeling in the world when she takes you with her.
  21. Despised Icon – The Ills Of Modern Man. Maybe the only modern death metal/deathcore album I can listen to straight through, without ever wanting to skip a song, and discover something new every time. Even with how crazy and technical their music gets, there’s still just an absurd amount of groove going on – almost to the point where it’s sometimes a stretch to even refer to their breakdowns as breakdowns. Brutal in all the best ways.
  22. DJ Shadow – Endtroducing. 50% instrumental hip-hop and 50% electronica. Also the first album in history to be composed entirely of samples taken from other albums. It’s shocking, how good Shadow is and how natural he makes everything sound. There’s so much going on and so many different elements and motifs happening in the music, but it never feels chaotic, cluttered, or out of control. You can freestyle rap to this album one night and fall asleep listening to it the next.
  23. Kid Rock – Devil Without A Cause. I don’t even know where to start with this one – just know that I used to race home from school every day just to try to catch the music video for “Bawitdaba” on MTV. I was crushed (I mean, CRUSHED) when he played a concert here and my parents wouldn’t let me go, lol, because myself and some of my friends were just amazed at what he was doing and how he was throwing rap, metal, and even some country together. Also, back in, like, 8th grade, “Devil Without A Cause” was totally one of the most intimidating-sounding songs I had ever heard. So that’s gotta count for something.
  24. John Mayer – Where The Light Is: Live In Los Angeles. Not a studio album, but the best representation of his music. Some people hate on him, but I love him and think he’s brilliant. He’s now to the point where, when he plays concerts, he can almost pick who he wants to be. Blues man, sensitive acoustic guy, pop-rock star, faux hip-hopper who messes around with samples and drum machines – he can do it all. And his fans, generally speaking, are smart enough and appreciative enough of his music that he knows he can pretty much play whatever he wants, and they’ll be happy. “In Your Atmosphere” is wonderful.
  25. Robert Johnson – The Complete Recordings. OK – some would say I’m saving the best for last. And by “some”, I mean “Keith Richards, Eric Clapton, and Jimmy Page”. Those are just a few of the artists who have said that Robert Johnson is the greatest bluesman that’s ever lived. It’s utterly impossible to overstate the impact that his songs have had. Even if you don’t listen to blues, you’ve probably heard 4 or 5 of his songs before and just didn’t realize it. They’ve been covered by hundreds of different groups. So, if you want the blues – and I mean the blues – you need look no further. Period.

Sunn O))) February 23, 2009

Posted by Jordan in Music.
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For anyone who’s interested in music that really stretches the limits of heavy metal – actually, scratch that. Music that really stretches the limits of the very idea of music – listen to Sunn O))). Yes, that’s the name of the band – “Sunn O)))”. It’s pronounced as “sun”. I found this archived New York Times piece about them to be absolutely fascinating. This stuff is … well, it’s generally aimed at an incredibly small niche audience, so it’s really hard to describe. The term I’ve seen a lot of people throw around in reference to them, though, is “drone metal”. Like, for anyone that reads this that knows metal and knows what sub-genres like doom metal and funeral doom are, this should tell you how extreme and polarizing Sunn O)))’s sound is: bands that think of themselves as true doom metal have actually spoken out against Sunn O))) before, because of just how far they push it. There’s no harmony, no melody – it’s just tone. It’s incredibly heavy, but heavy like no other band you’ve ever heard. I don’t know – like I said, it’s phenomenally hard to describe. Their live performances, from what I’ve heard and seen, completely redefine the phrase “wall of sound”. Look them up if you’re feeling adventurous.

man-crushes February 20, 2009

Posted by Jordan in Music, Quotes.
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So, my friend Jeremy and I were talking the other day. Music is the sun to his earth, just as it is with me, so we were discussing which musicians we have man-crushes on. I immediately threw in John Mayer (seriously, just listen to “In Your Atmosphere”, “Hummingbird”, and “Tracing”) and John Rzeznik (frontman for The Goo Goo Dolls, for the unaware), because, well, they’re both amazing. Actually, speaking of John Rzeznik, here’s a quote from him that’s one of my favorite quotes from anyone ever:

“I’m amazed that I can sit down, put a guitar in my hands and start playing kind of free style, and it will be four hours later and it will feel like it’s been five minutes. I think that adds depth to your being, when something in your life can do that for you. Everybody should try to find something in their life that can do that for them. People find really elaborate self-destructive ways of killing time on this planet. That’s why they take drugs or drink, trying to alter their state of being. If you can find something that doesn’t destroy you, but deepens your character, you’re really lucky.”

fantastic. absolutely fantastic. couldn’t agree more.

So anyway, I then started trying to think of metal musicians who go in the “man-crush” category. On that note, I give you Mike Smith, drummer for Suffocation. Brief history lesson first: back in the late 80’s and early 90’s, the blast beat was mainly used in metal the way Napalm Death used to rock it, with the bass drum and hi-hat synched together and alternating with snare hits. Then Mike Smith and his boys in Suffocation came along and changed all that. He started syncopating EVERYTHING together – the bass drum, hi-hat, AND the snare. Lots of bands do that now, but back then, no one else had done it as prominently as he had, and especially not syncing the hits together while still keeping everything powerful and not losing the punch of strong snare hits. To see what I’m talking about, check the video:

So yeah. AWESOME.

totally ordered this shirt last night. February 19, 2009

Posted by Jordan in Twilight.
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I’ve been meaning to order it for a while – just never got around to it. But it’s on it’s way now! I can’t wait to wear it to New Moon opening night 🙂

Now I just need to get this one:


(and, as far as that second one is concerned, truer words have never been spoken!)

completely awesome. February 18, 2009

Posted by Jordan in Movies, Music, Twilight.
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This is a song that is just … timeless. Nothing I can say about it even comes close to doing it justice. So beautiful. Fly Away Home is a wonderful movie, also.

And, just because Twilight is never a bad thing, this is one of my favorite scenes from the movie, which I mentioned in the post titled “mushroom ravioli” a couple of months back.

Also: check this out! This is our cat, and she likes the scene too! I’ll bet she’s Team Edward 😉

word up. February 8, 2009

Posted by Jordan in Quotes.
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“I like to inspire and to be inspired. Connecting with people is something I enjoy also, because life is fleeting. We should build each other up and fellowship and enjoy one another.” – Kevin Brewer

Couldn’t have said it any better myself.